Ebook J.D. Salinger: The Escape Artist (Icons), by Thomas Beller
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J.D. Salinger: The Escape Artist (Icons), by Thomas Beller
Ebook J.D. Salinger: The Escape Artist (Icons), by Thomas Beller
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J.D. Salinger published his first story in The New Yorker at age twenty-nine. Three years later came The Catcher in The Rye, a novel that has sold more than sixty-five million copies and achieved mythic status since its publication in 1951. Subsequent books introduced a new type in contemporary literature: the introspective, hyperarticulate Glass family, whose stage is the Upper East Side. Yet we still know little about Salinger’s personal life and less about his character.
This was by design. In 1953, determined to escape media attention, Salinger fled to New Hampshire, where he would live until his death in 2010. Even there, privacy proved elusive: a Time cover story; a memoir by Joyce Maynard (who dropped out of Yale as a freshman to move in with him); and a legal battle over an unauthorized biography, which darkened his last decades. Yet he continued to write, and is rumored to have left behind a mass of work that his estate intends to publish.
Thomas Beller, a novelist who grew up in Manhattan, is the ideal guide to Salinger’s world. He gives us a sense of life at The New Yorker (where he was once a staff writer) and a portrait of editor Gus Lobrano, whose relationship with Salinger has rarely been written about. He visits Salinger’s summer camp and the apartment buildings where the author lived. He reads the famous works with obsessive attention, finding in them an image of his own life experience. The result is a quest biography about learning to know yourself in order to know your subject. J.D. Salinger is the triumph of a rare literary form: biography as work of art.
- Sales Rank: #661645 in Books
- Published on: 2014-06-03
- Released on: 2014-06-03
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.75" w x .75" l, 1.00 pounds
- Binding: Hardcover
- 192 pages
Most helpful customer reviews
16 of 21 people found the following review helpful.
Who Dini?
By C. CRADDOCK
The Escape Artist is about J.D. Salinger but it is also about the author himself, his experiences while doing research, the fate of other Salinger biographers, and finally, in some of the books most moving passages, what Salinger's writing meant to him personally. He also weighs in on how ultimately Salinger's Fortress of Solitude failed to protect him from the kryptonite of crazies waving his book around after committing murders, and the crazy rumors that flourished in the vacuum about him when those who knew him refused to say anything whatsoever about Clark Kent due to his zeal for absolute privacy.
There is a passage in The Catcher in the Rye where Holden Caulfield states that he likes to read books that, after you read them, you feel like you know the author well and want to call him up and chat. He has just read Out of Africa and would like to call Isak Dinesen up. He also wishes he could pal around with Ring Lardner. He doesn't feel that way about Somerset Maugham after reading Of Human Bondage, however. It turns out that tons of people feel that way after reading his books, and after trying to answer his fan mail personally it is just too much for him and he becomes a hermit. I remember reading a magazine article that was essentially the saga of a fan who felt such an overwhelming compulsion to meet him that he went searching for him, and when he finally did speak to him, the reclusive author didn't have much to say and was perplexed and bewildered about just exactly what these people expected of him. What did they want? Even though this story was nothing if not anti-climactic, I and no doubt many others read it with interest, curious to know what was going on with him. Was he still writing, and if so, why wasn't he publishing anything? The good news is that he was writing everyday, as he was a writer, and that was his job. The stuff he was writing is going to be published posthumously beginning in 2015, which is next year!
Getting back to The Escape Artist, the author felt he had a lot in common with J.D. Salinger, and he walked the streets where Salinger walked, and went to the places that Salinger went to. He visited the Museum of Natural History, the duck pond, the carousel where Holden took his sister, Phoebe. He got a samizdat copy of the suppressed biography written by Ian Hamilton, before he was forced by the courts to remove passages from Salinger's personal correspondence, and rewrite the book in a much diluted, weaker version, that lacked the unmistakable voice of J.D. Salinger. He almost loses the manuscript, invaluable though it turns out to be in writing The Escape Artist. He goes to a Salinger archive and reads letters himself, but is not allowed to use a laptop or a notepad in the same room. He rushes back and forth from the room to his notepad feeling like the Sorcerer's Apprentice carrying handfuls of water. He like, Salinger, also has stuff published by The New Yorker, and describes what it felt like to have his prose combed over by actual New Yorker editors. The book alternates between talking about his own experiences researching the book and what he discovers about Salinger.
The book is interesting and fun to read because it is well written and because it is about J.D. Salinger, our shared obsession.
3 of 3 people found the following review helpful.
Less than I wanted to hear about Salinger, more ...
By George R. Yanok
Less than I wanted to hear about Salinger, more than I needed to hear abut Beller. Are we sure he found the suppressed MS he says he lost?
4 of 5 people found the following review helpful.
Wonderful!
By Ian Martin
A generous biography of J.D. Salinger full of crisp insights into his life and technique. Beller breaks down our attraction to Salinger with studied precision. His understanding of what we find appealing in Salinger--both the writer and the writing--is delightful and accurate. The biographical material is couched in charming personal stories from the author that illustrate the uncanny appeal Salinger has had on so many individuals. This book is a must-read for anyone with an appreciation for Salinger, The New Yorker, or a good story.
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