Sabtu, 24 April 2010

[D451.Ebook] Get Free Ebook Hymns of Heritage and Hope, by Advent Christian General Conference

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Hymns of Heritage and Hope, by Advent Christian General Conference

[From the preface]: "From its beginnings in the mid-nineteenth century, the Advent Christian movement has been known for a vibrant and devout style of hymn singing with special focus on the soon return of Jesus Christ and the events surrounding that climatic moment." ..."An analysis of Hymns of Heritage and Hope reveals that 91 of the 738 selections (12.3%) have been written since 1985. Included are many new hymns as well as a good number of worship choruses (102). Some humns and choruses appear here for the first time in publication."

  • Sales Rank: #10130562 in Books
  • Published on: 2001
  • Binding: Hardcover
  • 823 pages

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Kamis, 22 April 2010

[B903.Ebook] Get Free Ebook Commodity Finance: Principles and Practice, by Weixin Huang

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Commodity Finance: Principles and Practice, by Weixin Huang

Today, commodities represent most of the fast growing markets worldwide.This book is a hands-on summary of what is happening in commodity finance, offering a macro-level framework but importantly the practice of daily operation and its problems. It covers commodities, commodity markets, commodity trade and the finance of commodity trade. The book is first intended for practitioners (bankers, traders etc) who are interested in this subject and those financial institutions which have this business or plan to establish this business What does the book cover? ·The book starts with a bird's eye view on commodity trade and finance as an introduction ·Chapter 2 describes the three major sectors under commodity finance: soft commodities, hard commodities, energy, as well as the global flow of them. This chapter is developed further to the discussion of commodity finance and the emerging markets, as most commodity export countries are emerging markets countries. It then shifts to a micro level for the case of Ethiopia. ·Chapter 3 describes special mechanisms and products of commodity finance, from plain vanilla products to complicated structure of commodity finance, all are presented here. The relatively new, upcoming concept of Supply Chain Finance is also covered in detail. ·As a large amount of commodity finance involves both bank and country risk, Chapter 4 particularly explores this subject. ·Chapter 5 is intended to summarize the risk management principles in commodity finance, with practical cases. ·Chapter 6 offers an organizational aspect of a typical commodity finance bank. There is hardly any literature which can be found on this practical subject. ·The last chapter ventures into the subject of a forward vision of commodity finance. What are the key benefits of the book? ·For bankers, how to do business and what risks should be watched for? ·For traders, brokers, institutional investors how commodity finance is done, what bank instruments they can use? ·For finance academy, how is this part of niche banking handled and developed? What are the key features of the book? ·By presenting charts and graphs, the book tries to avoid difficult "jargons" to make it accessible to wider readers. ·The content has been tested and perfected by both experts and newcomers, incorporating their comments on style and content making this a well-rounded read.. ·Although the sequence of chapters is organized with progress along the knowledge line, the book is written, on purpose, for separate reading and reference. ·Comprehensive global picture of commodity flows, list of commodity hedge companies etc. Who should read this book: The book is primarily targeted at practitioners (bankers, traders ...) and financial institutions trading in this area, but senior business school students with a special interest in niche banking will benefit greatly too. The content has been read by many, both experienced practitioners and novices, to ensure it is as useful and clear as possible. What are the special characteristics of the book that make it better than the competition? · Comprehensive description on the topic · Special coverage on problem handling and fraud prevention · Easy to understand · Practical cases and sample documents

  • Sales Rank: #1059172 in Books
  • Published on: 2014-03-17
  • Dimensions: 7.52" h x .63" w x 9.72" l, 1.09 pounds
  • Binding: Paperback
  • 242 pages

Review
It is with great pleasure that I recommend this book, Commodity Finance: Principles and Practice, expertly written by Dr Huang, not only to any trade finance professional or commodity trader, sharpening his or her knowledge on the subject, but also to finance graduates, who are preparing to enter the interesting domain of trade and commodity finance. Having spent a full professional career in trade and commodity finance at Mees Pierson, Fortis and the last eight years at Rabobank, Dr Huang will prove to be an eloquent partner, teacher or reference for each reader. Most of all you will be delighted to have found, through his book, a unique mentor who will always be there to accompany you in resolving the complexities of our trade. --Lex Kloosterman Director, Rabobank, February 2014

About the Author
W Huang is one of the very few players in the commodity finance market with the depth of knowledge to pull together such a complete work. His experience as both a current Banker, and Professor allows him to explore the subject from more than one perspective. He is currently working as director of Trade and Commodity Finance in Rabobank, has got his MA (Economics) in China and MA (Asia Studies) in Japan. His PhD was linked to his research project in Erasmus University Rotterdam which ex-Mees Pierson sponsored, and he joined the bank thereafter. A career banker starting from Bank Mees and Hope, Mees Pierson, Fortis and now Rabo bank, he has been working in the business line of emerging markets and commodity finance since 1990. With his multi-discipline and multi-cultural education, Dr. W. Huang is one of the few experts active both as a practitioner in commodity finance and as a lecturer and trainer for banking.

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0 of 2 people found the following review helpful.
Five Stars
By YiBo Sun
Very good!

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Rabu, 21 April 2010

[N716.Ebook] Fee Download Steadicam: Techniques and aesthetics, by Serena Ferrara

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Steadicam: Techniques and aesthetics, by Serena Ferrara

In this unique study, Serena Ferrara examines the revolutionary impact of the Steadicam on filmmaking.

The Steadicam has freed-up the camera operator to follow a film's movement, wherever it is happening. Serena Ferrara explains the principles by which the Steadicam is operated and the impact it has on filmmaking, including the effects it can produce on screen, on a film's narrative, on its audience, and on the director's creativity.


Also featured are interviews with movie industry professionals, in which a variety of views of the Steadicam are presented in an open discussion. Interviewees include:

Garrett Brown
Giuseppe Rotunno
John Carpenter
Mario Orfini
Larry McConkey
Nicola Pecorini
Haskell Wexler
Ed DiGiulio
Vittorio Storaro
Caroline Goodall

Anyone involved in, or fascinated by, the process of filmmaking with find this an enlightening and inspirational study.

  • Sales Rank: #3539030 in Books
  • Published on: 2000-11-07
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .43" h x 7.38" w x 9.59" l,
  • Binding: Paperback
  • 182 pages

Review
'An important and equally graceful book about what we jokingly called, and now are beginning to believe might actually be, the Noble Instrument.'
Garrett Brown

'An important and dynamic book... filled with history, technical diagrams, and insightful analysis of how the mechanism fits together. I love the wonderful anecdotes (extremely informative and often eloquent) and interviews... Brown wrote an amazing introduction that starts the book off with a bang!'
Georgia Packard, in Operating Cameraman magazine

'This unique book about a widely used tool in contemporary film production blends theory and practice to create an insightful protrait of Steadicam and moving camera aesthetics.'
Stephen Prince, in Film Quarterly magazine

'A fascinating read for anyone interested in the hard details of movie making.'
Chris Jenkins, in Home Cinema Choice magazine

'A definitive treatment of the Steadiam'
Ray Zone, in American Cinematographer magazine

'For those with no working knowledge or experience with a Steadicam, for students of film or for those intrigued and want to know more about Steadicam and camera work in general, this book really can't be overlooked. Out of ten? ..... a nine.'
ONFILM

'If one has always had a fascination with Steadicam, this is the book to get.'
Eric Delisle

'For those with no working knowledge or experience with a Steadicam, for students of film or for those intrigued and want to know more about Steadicam and camera work in general, this book really can't be overlooked. It is an important addition to the recent record of cinematography, and adds some valuable insights into the Steadicam's usefulness as a tool.'
Reader's review on Amazon.com

"If you are spending tens of thousands of pounds on a steadicam, then the (comparatively small) investment in this book is well worthwhile. It contains everything you could possibly ever need to know on the use, techniques and aesthetics of the steadicam." - Focus magazine

Most helpful customer reviews

7 of 7 people found the following review helpful.
Long time coming, but not as good as I'd hoped.
By Philip T Burchell
It is surprising that no-one had published a book on the Steadicam before now. Even this one has been a long time coming. Italian author Serena Ferrara originally published this in 1997, and it was finally released this year in an English version. A Doctorate in "History & Cinema" and her curiosity about the Steadicam led her to write a thesis on the subject, which later became this book.
After a brief but well written overview of the history, types and function of camera movement, the book does an excellent job documenting the invention of the Steadicam … the evolution from first prototype to current models is shown in detail. This first section of the book covers basic principles of how the thing works, how it can be used together with it’s limitations, and gives early examples from films such as "Rocky" and "Marathon Man". The Steadicam didn’t really come of age until it was embraced by Stanley Kubrick on "The Shining" which is discussed at length.
The second section is called "Semiotics and Narrative" and leads into chapters such as "The Gaze of the Narrative Voice". Overall, there is a tendency to intellectualise, and this section in particular was a bit too bookish for me. However, many references to sources of information are given, along with an extensive bibliography, so perhaps this style can be forgiven.
The third section holds a series of interviews which is perhaps the most valuable contribution of the book. Inventor and master operator Garrett Brown naturally features, along with an excellent discussion by Larry McConkey on his extended shots in "Goodfellas" and "Bonfire of the Vanities" and with DP’s Haskell Wexler and Vittorio Storaro among others.
The book however, is limited by it’s concentration of the evolution of the Steadicam as a brand. From 1993, Garrett Brown’s original patents started to expire, allowing competitive manufacturers into the field. The most prominent of these, the PRO, is given scant recognition, others none at all, while the Panaglide ...is perhaps given more than it deserves. Important equipment such as remote lens controllers, gyro’s and antlers hardly rate a mention. Even Cinema Products’ own innovative "iso-elastic" arm is given little attention. The fact that CP went belly-up last year and the Steadicam product was acquired by Tiffen, is a glaring omission in itself.
Other grumbles? Not enough photo’s of the thing in action was a big disappointment, and many that do appear are 10-15 years out of date. The Techniques and Uses section of the book could also be much stronger ....
For those with no working knowledge or experience with a Steadicam, for students of film or for those intrigued and want to know more about Steadicam and camera work in general, this book really can’t be overlooked. It is an important addition to the recent record of cinematography, and adds some valuable insights into the Steadicam’s usefulness as a tool.

0 of 0 people found the following review helpful.
Five Stars
By T Crump
Great information

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Minggu, 18 April 2010

[Y999.Ebook] Fee Download Jazz Standards for Drumset: A Comprehensive Guide to Authentic Jazz Playing Using 12 Must-Know Tunes, by Brian Fullen

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Jazz Standards for Drumset: A Comprehensive Guide to Authentic Jazz Playing Using 12 Must-Know Tunes, by Brian Fullen

(Percussion). In this book/CD package, Brian Fullen teaches the essentials of jazz drumming through the use of twelve classic jazz tunes, including Real Book -type lead sheets and play-along tracks. The book includes a complete background on multiple jazz styles including Bebop, Jazz Waltz, Latin and Fusion; essential jazz terminology with definitions and usage; and an extensive reference section, including recommended recordings, books and DVD/videos. The CD includes 12 classic jazz tunes "with drums" for listening and "without drums" for play-along.

  • Sales Rank: #774490 in Books
  • Brand: Hal Leonard
  • Model: 6620077
  • Published on: 2006-01-01
  • Released on: 2006-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .28" w x 9.00" l, .70 pounds
  • Binding: Paperback
  • 88 pages
Features
  • Songs Include - All Of Me, Bluesette, Body And Soul, Don't Get Around Much Anymore, Four, The Girl From Ipanema, Mercy, Mercy, Mercy, St. Thomas, Satin Doll, Stompin' At The Savoy, Take The 'A' Train, Things Ain't What They Used To Be

Most helpful customer reviews

17 of 17 people found the following review helpful.
A great intro to jazz drumming
By Mark Leinhos
I'm just begining to learn jazz drumming and this is the perfect book. It covers a variety of styles, comping, trading fours (solos), and has great practice tracks for all of it. The CD has all the songs with a full version and a drumless version to play along with.

If you're looking for a music book for jazz standards, or a comprehensive lesson on a lot of jazz standards then you should look elsewhere. There's only 12 songs and they're chosen for their decent range of styles, rather than a compendium of jazz standards.

Songs on the CD:
Stomping at the Savoi
Things Ain't What They Used to Be
All of Me
Take the 'A' Train
Satin Doll
Don't Get Around Much Anymore
Body and Soul
Four
Bluesette
The Girl from Ipanema
St. Thomas
Mercy, Mercy, Mercy

7 of 7 people found the following review helpful.
Great intro to jazz drumming
By Sledje
I have been playing drums for over 30 years, and bought this book as part of my instruction to my 10 year old son. It is a GREAT book that boils it down to basics, with photos and CD tracks, and also gets into a good amount of detail that goes beyond beginner.

I was looking for a book to prepare him for jazz band in reading charts, and this book has far exceeded my expectations.

7 of 8 people found the following review helpful.
Jazz Groove
By Amazon Customer
This is a good way to learn how to "comp" with any jazz band with a practice CD and tutorial lessons in text. Very good beginning or advanced musicians. Having a good rhythm section is key in any band.

See all 12 customer reviews...

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Kamis, 15 April 2010

[H604.Ebook] PDF Ebook Myth (The New Critical Idiom), by Laurence Coupe

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Myth (The New Critical Idiom), by Laurence Coupe

Laurence Coupe offers students a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This introductory volume:

  • illustrates the relation between myth, culture and literature with discussions of poetry, fiction, film and popular song
  • explores uses made of the term ‘myth’ within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis
  • discusses the association between modernism, postmodernism, myth and history
  • familiarizes the reader with themes such as the dying god, the quest for the Grail, the relation between ‘chaos’ and ‘cosmos’, and the vision of the end of time
  • demonstrates the growing importance of the green dimension of myth.

Fully updated and revised in this new edition, Myth is both a concise introduction and a useful tool to students first approaching the topic, while also a valuable contribution to the study of myth.

  • Sales Rank: #1833612 in Books
  • Published on: 2009-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .70" w x 5.00" l, .57 pounds
  • Binding: Paperback
  • 240 pages

Review
" Myth is the kind of book that one would wish there were more of.." -- Robyn Walker, Literary Research , - Spring-Summer 2000

About the Author

Laurence Coupe is Senior Lecturer in English at Manchester Metropolitan University. He is the author of Kenneth Burke on Myth, Marina Warner and Beat Sound, Beat Vision, and he is the editor of The Green Studies Reader. For further information on this author please see www.laurencecoupe.me.uk

Most helpful customer reviews

5 of 5 people found the following review helpful.
A Very Modern Look At Myths
By Abeer A. E. Alkhamees
This book is part of the series The New Critical Idiom edited by John Drakakis. It is written by Laurence Coupe who is a Senior Lecturer in English at Manchester Metropolitan University. Myth was written with the students of literature in mind. It gives them a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This book shows the relation between myth, culture and literature, it explores uses made of the term "myth" within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism, and psychoanalysis, it discusses the association between modernism, post-modernism, myth and history, it familiarizes the student with themes such as the dying god, the quest of the Grail, the relation between chaos and cosmos, and the vision of the end of time. And finally demonstrates the growing importance of the green dimension of myth.

The introduction of the book is trying to establish a definition of myth that will take us forward into the book. The author starts by giving simple examples of how the myth is seen from different angles by different people. In literary and cultural studies myth is usually used as a synonym of ideology for example when we say "the myth of progress" or "the myth of the free individual". In the entertainment world it is used as a synonym for fantasy. In either case the meaning is illusion. Then the author gives us four stories that define different types of myths, fertility myths, creation myths, deliverance myths, and hero myths. These are not the only types but they are the most seen in mythology. The author believes that mythology is an important element of literature and that literature is a means to extend mythology. The author decided to use the approach outlined by the theologian Don Cupitt to define myth. Don Cupitt considers that there are so many conflicting definitions of myth because each theorists takes one sort of myth and makes it the center of his studies that it is better to list a number of "typical features" and then act on the assumption that a narrative is mythic if it has most but not necessarily all of these features.

Part one is about reading myths.The author uses as his vehicle the film by Coppola Apocalypse Now. Through it we discuss the work of Frazer, T.S. Eliot and his "mythical Method", Edgell Rickword's mythopoeic program and Mircea Eliade's work. Chapter one focuses on the fertility myth and Frazer's work on it. Chapter two focuses on the creation myth and Mircea Eliade's work on the subject and in chapter three the myth of deliverance is discussed and through out all three chapters the hero myth is discussed in relation to the material. All this is done with an eye on the literary and cultural texts and contexts.

Mythic reading is the subject of part two. Chapter four talks about two kinds of mythic reading: allegory, which is identified as realist; and typology, which is identified as non-realist. Chapter five and the subsequent chapters talk about the theories of the past and present. The people whose works are discussed are Sigmund Freud, Carl Jung, and Claude Lévi-Strauss in Chapter five; Ronald Barthes, Northrop Frye, Fredric Jameson and Marina Warner in Chapter six; Gary Snyder, James Lovelock, Theodore Roszak and Michel Serres in Chapter seven.

I really loved this book and enjoyed the examination of three types of myths in relation to the movie Apocalypse Now. I also very much enjoyed the easy explanation of the theories of myth in part two of the book. I think what makes it really good is the fact that it uses examples from works we have all read or seen at some point or another in our lives. It keeps the book fresh and makes the thought process very easy on the student (or in my case reader). It also brings about the conclusion that with the loss of myth we lose our environment, and that if the natural world is not alive (as is portrayed in myths) then it is a "wasteland". Another idea that came across loud and clear was how to read myths and how to be a mythic reader. It is all in how your "see" the myth and from what point of view. A wonderful book indeed!

1 of 1 people found the following review helpful.
Excellent
By Amazon Customer
An informative and definitive look at the study of Myth.

Divided into two sections; 'Reading Myth' and 'Mythic Reading' Coupeland is thorough in his explanations and examination of the connections between myth, language, narrative, history and imagination.

The 'New Critical Idiom' is turning out to be a great series. I also own 'Magical Realism' and it is also well-researched and well-explained.

Good for beginners (like me) interested in this subject.

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Minggu, 11 April 2010

[W970.Ebook] Download Ebook How Wars Are Won: The 13 Rules of War from Ancient Greece to the War on Terror, by Bevin Alexander

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How Wars Are Won: The 13 Rules of War from Ancient Greece to the War on Terror, by Bevin Alexander

Even as we head into twenty-first-century warfare, thirteen time-tested rules for waging war remain relevant.

Both timely and timeless, How Wars Are Won illuminates the thirteen essential rules for success on the battlefield that have evolved from ancient times until the present day. Acclaimed military historian Bevin Alexander’s incisive and vivid analyses of famous battles throughout the ages show how the greatest commanders—from Alexander the Great to Douglas MacArthur—have applied these rules. For example:

• Feign retreat: Pretend defeat, fake a retreat, then ambush the enemy while being pursued. Used to devastating effect by the North Vietnamese against U.S. forces during the Vietnam War.
• Strike at enemy weakness: Avoid the enemy’s strength entirely by refusing to fight pitched battles, a method that has run alongside conventional war from the earliest days of human conflict. Brilliantly applied by Mao Zedong to defeat the Chinese Nationalists.
• Defend, then attack: Gain possession of a superior weapon or tactical system, induce the enemy to launch a fruitless attack, then go on the offensive. Employed repeatedly against the Goths by the Eastern Roman general Belisarius to reclaim vast stretches of the Roman Empire.

The lessons of history revealed in these pages can be used to shape the strategies needed to win the conflicts of today.

  • Sales Rank: #957271 in Books
  • Brand: Alexander, Bevin
  • Model: 961225
  • Published on: 2003-09-23
  • Released on: 2003-09-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .85" w x 6.14" l, 1.34 pounds
  • Binding: Paperback
  • 416 pages

From Publishers Weekly
This is a book whose argument would be more effective had the author not apparently refocused his manuscript after September 11. Alexander, a journalist and writer of general audience works on military subjects, challenges the relevance and effectiveness of the "Western way of war" as articulated by, among others, Victor Davis Hanson and John Keegan. That model emphasizes intense, direct conflict focused on decisive battles whose outcomes are determined by relative loss rates. Alexander's "13 rules," in contrast, emphasize indirection: striking at weak spots, employing deception, paralyzing systems as opposed to killing men. Though the research bases of Alexander's case studies are uniformly thin, he does not seriously abuse his evidence. Most of the battles he cites in demonstration of a particular "rule" more or less support the argument. Cannae, for example, is an appropriate example of a battle of encirclement. Yet Alexander (How Hitler Could Have Won World War II) also seeks to connect his "rules of war" directly to the contemporary "war on terror." In this case, the drastic asymmetries between the adversaries make the relationships to historic battles fought by more similar forces difficult to establish. Alexander usually winds up postulating a connection rather than demonstrating it. The link, for example, between operational-level "cauldron battles" like those fought in Russia in 1941, and the tactics employed by the U.S. in Afghanistan against the Taliban, is at best tenuous, if not entirely inferential. Alexander's case should not be dismissed, but is best approached with intellectual caution. As the U.S. prepares for war, look for interest in this title to be high.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Using the works of Sun Tzu as a framework, Alexander has formulated 13 rules by which wars are won: striking at enemy weakness, feigning retreat, striking at a weak spot, etc. He devotes a chapter to each rule, describing famous battles that serve as examples of his rules in action, and then concludes each chapter with a post-9/11 implication as to the rule's application to the future of warfare. Some of Alexander's works, such as Lost Victories and How the Great Generals Win, show much original insight; others, like The Future of Warfare and How Hitler Could Have Won World War II, are not exceptional. The present work could be seen as a sequel to How the Great Generals Win, as it describes many of the same battles, and, logically, the great generals (from Napoeon and Genghis Khan to U.S. Grant and Erwin Rommel) utilized many of these principles for victory. His implications for the future are not especially thought-provoking, but this book can still serve as an excellent introduction to his work. Alexander's writing style is fluid, and his insights into many of the battles original. Recommended for military collections.
Richard Nowicki, Emerson Vocational H.S., Buffalo, NY
Copyright 2002 Reed Business Information, Inc.

From Booklist
Alexander brings one of the oldest subjects of military history up to date usefully if not always outstandingly, for he tries to have his cake and eat it, too, by claiming that we are living in a wholly new era of warfare (i.e., war by terror) and that Alexander the Great and Napoleon can teach us profound and universal lessons. Alexander's strongest influence appears to be Sun Tzu, and some familiarity with that martial sage, whose Art of War seems to be translated anew every third year, aids in understanding and profiting from this book. Alexander's clear writing, thorough research across three millennia of world military history, and incorporation of recent events in the Balkans and Afghanistan when evaluating prospects and possibilities all strongly recommend the book. Still, for a serious general audience, it could be better, and it may be if it is appropriately updated to reflect the next several phases of the war on terrorism. Roland Green
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

12 of 14 people found the following review helpful.
Winning With Indirect Methods
By Eric Gartman
Noted Military Historian Bevin Alexander's latest effort represents an expansion of BH Liddell Hart's work. In his classic text on strategy, Liddell Hart differentiates between direct and indirect methods of warfare, and finds the latter to be by far the more successful approach. Liddell Hart does not examine different types of indirect action, however, and this is where Alexander's work comes in. Alexander begins with the premise that frontal assaults against fortified positions should never be attempted. Attacks should always come from the side or rear. This has the advantage of striking the enemy where they are weaker, and perhaps more importantly, it throws them off psychologically, disorienting, and frightening them. Alexander lists thirteen such variations on these same ideas, such as encirclement, holding in one place and striking another, creating diversions, cutting of the enemy's retreat, etc. Each method receives its own chapter, accompanied by several historical examples of the successful execution of the tactic, usually taken from as many different eras as possible. Of particular note are the examples taken from Stonewall Jackson's campaigns, a subject on which Alexander is one of the leading authorities. In writing this work it seems clear that Alexander is trying to place himself in line with the classics of military theory: Sun-Tzu, Clausewitz, Liddell Hart. Only time will tell whether or not he achieves this lofty goal. In the meantime there is little doubt that this fascinating and well-written work should be closely examined military strategists, historians, and armchair generals.

0 of 0 people found the following review helpful.
Four Stars
By D
Received it in record time and it's a good read so far.

1 of 2 people found the following review helpful.
Very Informative
By Dennis R. Johnson
This is a book without the heavy personal history of the people involved it is directed at the action taken or not taken by the armies involved.

A very good reference book for the military history reader.

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Kamis, 08 April 2010

[T327.Ebook] Free PDF John Mayer Live: The Great Guitar Performances (Play It Like It Is Guitar), by John Mayer

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John Mayer Live: The Great Guitar Performances (Play It Like It Is Guitar), by John Mayer

A great collection of 17 tracks featured on all three of his live albums including: Belief Û Come When I Call Û Comfortable Û Every Day I Have the Blues Û Gravity Û Man on the Side Û Neon Û Vultures Û Who Did You Think I Was Û Why Georgia Û and more.

  • Sales Rank: #311373 in Books
  • Published on: 2011-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .43" w x 9.00" l, 1.20 pounds
  • Binding: Paperback
  • 162 pages

Most helpful customer reviews

4 of 5 people found the following review helpful.
A Wet Dream for John Mayer fans that play guitar
By Robasolo
I have been waiting for this for so long. A tabbed out version of Covered in Rain. Honestly it is about 7 years too late. But I would have KILLED for this at the beginning of my guitar journey when I obsessively played john mayer 24 hours a day. Now i've gotten accustomed to doing this on my own. But still this book is robust and amazing. So buy it, worth EVERY penny.

1 of 1 people found the following review helpful.
Awesome book
By Jeremiah Mc
This book is awesome! really needed something to be able to follow along with instead of trying to look these up online

4 of 6 people found the following review helpful.
Do not buy for Kindle. The tabs are so ...
By Woody Sorey
Do not buy for Kindle. The tabs are so small you can't read them and there's no way to adjust the settings to see them clearly enough.

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